Archive for May, 2008

the demon barber of peachtree

May 29, 2008

Zack, Pam and I are going to see Sweeney Todd tonight, at Atlanta’s historic Fox Theatre. It’ll be nice to hear the music that was cut from the film. I enjoyed that movie so much that I walked alone through the snow (ten miles, uphill, both ways) in Denver one night to see it by myself, after seeing it with a group of the LYDIA actors.

This will be my first time since I was a kid seeing a touring production of a show. I am reminded of some of the things an actress friend of mine said to me about how difficult it is for audience members to tell when they’re seeing the Equity or the non-Equity version of the tour. Producers sometimes abruptly fire the entire Equity cast before or during the tour, and replace them with non-Eq actors. Of course, there are asterisks (or not) in the program – but if marketing materials and review quotes remain the same, audience members don’t learn the difference till they’ve already paid for their tickets.

And, of course, the tickets still cost just as much. Not that non-Eq casts can’t be just as good, but they haven’t really come straight from Broadway.

So I tried for myself to determine if this was an Eq or non-Eq cast, and couldn’t, not through a few simple clicks. I’m going to wait and be surprised.

(belated) dispatches from texas

May 29, 2008

I spent Memorial Day Weekend visiting my friend Sari in San Antonio. We drove from there to Brownsville, at the very southernmost tip of Texas.

We dropped off her aunt Rosa to travel further south, to a relative’s ranch in Monterrey, and the two of us spent a few days exploring Brownsville, Matamoros, and even, very briefly, the spring-break destination of South Padre Island. She used to be a reporter for the paper there, and so is very connected – and we got to catch up with folks from the Mexican consulate, the economic development commission, and the paper.

Brownsville is beautiful – it’s so close to the water that the air is always full of low, oceanic clouds. The streets have cracks and cobblestones. Tourists flock to South Padre Island, a beach-and-condo-coated island awash in T-shirt and seashell shops. You get to the island by hurtling across a long freeway bridge, that turns into a parking lot when you try to leave.

(Lots of interesting Jewish dynamics in this part of Texas, too – I was assured by everyone I met that Israelis run all the T-shirt shops and Mexicans the seashell shops on SPI, and even told by one person that the T-shirt shops were “laundering money for Israel.” I didn’t have time to be offended by this before it was explained to me that cartel-based money laundering is so prevalent in those environs that no one means anything particular by it.)

Sari also took me to see the old Jewish cemetery in Brownsville, next to the much larger town/Mexican/Catholic cemetery. The Jewish cemetery is surrounded by a wall and has better groundskeeping – the graves are spaced, the grass is cut. It looks like a postage stamp of excessive order on an envelope of a larger, overgrown graveyard. We talked about the origins of separate graveyards, and how religious customs can come off as racism sometimes.

Border Patrol cops were ubiquitous. On the drive down, we passed an enormous detainment camp for immigrants who are being deported. Sari and I walked down the beach to the end of the United States, to the Rio Grande and the border, where you can look across the water to Mexico. We saw people swimming and fishing in the water on both and all sides, oblivious of – or in defiance of – the national dividing line.

We met with a farmer who’s arguing with Homeland Security about them putting “the wall” across his land – issues of compensation, of the land losing its value, of them not knowing what kind of a wall it’s going to be. The whole operation seems disorganized, but it moves forward anyway, despite its lunacy. As one of Sari’s friends said to us this weekend, “If you build a sixteen-foot wall, they’re just going to get a seventeen-foot ladder.”

After all, building enormous walls is always such a great political move. With the upcoming election and (hopeful) change in political parties, this idiotic wall may yet not happen. But they continue to move forward, trying to buy up land at less than its value and impact the livelihood of small Texas farmers.

This farmer, whose name I won’t mention (because we didn’t tell him we’d be writing about him) was as pro-enforcement and conservative as you can get. He doesn’t want any illegal immigration happening on or around his land. But he’s also a practical man who makes his living farming, and he knows the wall’s
a) not going to work
b) a terrible idea.
c) not going to work.

On a less political note, the food was amazing. I ate the best huevos rancheros I’ve ever experienced in my life, at the Toddle Inn. We were greeted as old friends at Captain Bob’s, a self-run fishing operation and sea food restaurant. Bob is also the purveyor of a local blog. Brownsville is blog-crazy, both for politics and for gossip – everyone we met was talking about the comments on such-and-such’s blog.

I loved it – the community, the people, and the landscape – and I hope I get to spend more time there soon.

dispatches from georgia

May 29, 2008

I went running this morning on the Georgia Tech campus, past the sign on Marietta Street marking the surrender of the city of Atlanta. I did laps on the Astroturf, listening to Cisco’s hip-hop mix, which I got from him at the start of this year. It’s humid here, and my hair is curly. Running reminds me how small everything is, how insignificant – breathing in the rhythm of the grass and the asphalt, and realizing your own life is only a breath. And is mine an exhale or an inhale? When I’m not making theater, I don’t know what to make of myself.

Now Zack is making pancakes while Pam and I hang out. They live by a freight shipping train line, and an endless stream of tanks and armored cars on flatbed train cars is running by their window – going to war.

Waiting for news, undistractable, distracted. Pam suggested I read Pratchett’s The Hogfather, which I did. I begin every Pratchett book loving it and then he loses me stylistically at some point. I want to like it more than I do. But I enjoyed this one, particularly this quote:

“The universe clearly operates for the benefit of humanity. This can be readily seen from the convenient way the sun comes up in the morning, when people are ready to start the day.”

A point well taken in a time of needless self-importance. I’m going to write my delayed Texas post now.

good fortune

May 27, 2008

straight from the cookie:

“Don’t worry about money.
The best things in life are free.”

a time of decision

May 22, 2008

One way or another, the events of the next ten days will determine my future for the next year – and it’ll be nice to have more of a location forecast. Partly West Coast with a chance of East? As of July, I intend, I vow, to have moved somewhere in this country for an entire twelve months.

I am waiting to hear about a couple of large deadlines. If one comes through, I will go where it takes me. If not, I will go where I feel like going. Where that is is still unclear to me, but it will, at least, be only one place at a time.

In the spirit of this year of travel, I’m going to be in Texas, Atlanta, and Seattle, with friends and loved ones, at the time when these deadlines come forward. One way or the other, I’ll still be seeing the people I love.

One way or another, I’ll be directing two readings in Los Angeles in June – one of a short play by Ron Allen, one of a long and messy play adapted, by me, from the Greeks (all of them.)

And one way or the other, I expect to be very hard to reach for the next ten days – to go into the hermit crab’s shell while I wait for the shell of the wanderer crab to fall off.

you can take the girl out of kaua’i

May 18, 2008

but not for long.

On the road again.

What country, friend, is this?

May 12, 2008

Overlooking the Kaua’i ocean with my med-student friends, dressed in scrubs and bikinis. Our room overlooks a black rock outcropping, and we’re 30 feet from the water. Surfers brave the rocks below.
Looking forward to falling off the map of the world.

Waiting in between locations, in between lives, I find myself in Kaua’i with the destination after this unknown. The waters are different colors here, darker, to my eyes, from Los Angeles waters. It’s the ocean, but neither the east coast nor the west – the waters here are free of allegiances to hip-hop and to literary theory.

And I am here, after a year spent in rehearsal rooms across the country, staring at pictures of trees, paintings of horizons, the recorded sound of the ocean and the artificial light resembling sunrises – here being woken up by the sound of the waves.

This is an environment that defies my theatrical conception of the universe. The ocean is neither audience nor actors. I once imagined, with TCS, that we would perform a Greek play on the beach, in a natural ampitheater, for the waves as our audience. But these waters seem too powerful to simply watch.

This is a place that makes me think without theater, and yet all my thoughts go back to it, like (I’m sorry) the waters coming back to the shores. This island is not about theater. But theater is what brought me to this island – the freedom of time and spirit of working in our world.

I haven’t gotten rich making theater, and I never will. But I’m glad to have continued to live my life with the flexibility to be able to go to an island when the time comes for it. I think this is the gift we have that makes up for the many privations of the business. A sense of freedom.

I imagine, as I always do when I get to a new location, a traveling band of actors, Moliere’s players, arriving on a new shore. This is Illyria, lady.

from passing strange

May 9, 2008

Great show. Live musicians on stage the whole time. And this is what I realized: The (epic)chorus is a chorus of characters: it is composed of many people each in their own one-man show: portraying many characters, at once, consecutively, etc. It is composed of a group of epic poets.

I think this is why ADing on GOLDA was so pertinent to my work. Although the actress was a chorus of one, she was still choral in the fluidity of her identity.

well, I’m the kind of guy who likes to roam around

May 9, 2008

I’m never in one place,
I roam from town to town…
And when I find myself
a-falling for some girl
I get right into my car
And I drive around the world
Cause I’m a wanderer,
Yeah, the wanderer,
I get around, around, around, around, around…

I leave New York tomorrow morning.

press free

May 9, 2008

I can’t go to this but I wish I could – a media reform conference in Minneapolis, June 6-8. MoveOn sent it to me.

“Please consider joining members of Congress, new media visionaries, civil rights trailblazers, top grassroots organizers, and thousands of concerned citizens at the National Conference for Media Reform in Minneapolis/St. Paul this June 6-8 (Fri-Sun)—organized by our friends at Free Press.”